Author: Emil Krall
First published 1913.
CONTENTS:
PART IChapter I: The Mechanism, String, Bow, ArmChapter II: The BowChapter III: The ArmChapter IV: Relations between Arm Movements and Sound.Chapter V: The Wrist - Influence of the Wrist - On the Down-Stroke - On the Up-Stroke - Lateral hand movementsChapter VI: Hand and Fingers PART II - Practical ApplicationChapter I: How to Hold the VioloncelloChapter II: The Bow - Holding the BowChapter III: The Stroke on All the Strings - 1 on the D String - 2 on the A String - 3 on the G String - 4 on the C stringChapter IV: Straight Bowing - The Place of the Bow on the StringChapter V: Change of BowChapter VI: Studies in Tone Production - Evenness of Tone - Modulating of ToneChapter VII: Spiccato - StaccatoPrinciples of Bowing. Summary: 1. General - 2. Arm, Hand, Fingers - 3. The Different Strokes - Relaxation Exercises
PART IChapter I: The Mechanism, String, Bow, ArmChapter II: The BowChapter III: The ArmChapter IV: Relations between Arm Movements and Sound.Chapter V: The Wrist - Influence of the Wrist - On the Down-Stroke - On the Up-Stroke - Lateral hand movementsChapter VI: Hand and Fingers
PART II - Practical ApplicationChapter I: How to Hold the VioloncelloChapter II: The Bow - Holding the BowChapter III: The Stroke on All the Strings - 1 on the D String - 2 on the A String - 3 on the G String - 4 on the C stringChapter IV: Straight Bowing - The Place of the Bow on the StringChapter V: Change of BowChapter VI: Studies in Tone Production - Evenness of Tone - Modulating of ToneChapter VII: Spiccato - StaccatoPrinciples of Bowing. Summary: 1. General - 2. Arm, Hand, Fingers - 3. The Different Strokes - Relaxation Exercises
Perfect for 'cellists and other string players...